
“The house of fiction has in short not one window, but a million—a number of possible windows not to be reckoned, rather; every one of which has been pierced, or is still pierceable, in its vast front, by the need of the individual vision and by the pressure of the individual will. These apertures, of dissimilar shape and size, hang so, all together, over the human scene that we might have expected of them a greater sameness of report than we find.”
“I’ve always thought of you, and I mean this in the best possible way, as a stone-cold, killer bitch.”
“‘Control the narrative.’ You probably yell that when you come. ‘Oh, control the narrative! Ohh, control it. Control the narrative!’”
“It was wonderfully characteristic of her that, having invented a fine theory, about Gilbert Osmond, she loved him not for what he really possessed, but for his very poverties dressed out as honours. Ralph remembered what he had said to his father about wishing to put it into her power to meet the requirements of her imagination. He had done so, and the girl had taken full advantage of the luxury.”
“Fucking our sister? That’s cool, man. . . . No, I think it’s really cool. I think we should, like, what’s it like, like, to bang our sister?”
“The principle I have just mentioned as operating had been, with the most newly disembarked of the two men, wholly instinctive—the fruit of a sharp sense that, delightful as it would be to find himself looking, after so much separation, into his comrade’s face, his business would be a trifle bungled should he simply arrange for this countenance to present itself to the nearing steamer as the first ‘note,’ of Europe.”
“Humanity is immense and reality has a myriad forms; the most one can affirm is that some of the flowers of fiction have the odour of it, and others have not; as for telling you in advance how your nosegay should be composed, that is another affair. It is equally excellent and inconclusive to say that one must write from experience; to our supposititious aspirant such a declaration might savour of mockery. What kind of experience is intended, and where does it begin and end? Experience is never limited and it is never complete; it is an immense sensibility, a kind of huge spider-web, of the finest silken threads, suspended in the chamber of consciousness and catching every air-borne particle in its tissue. It is the very atmosphere of the mind; and when the mind is imaginative—much more when it happens to be that of a man of genius—it takes to itself the faintest hints of life, it converts the very pulses of the air into revelations.”
“Hey, hey, motherfuckers!”
“She had not been mistaken about the beauty of his mind; she knew that organ perfectly now. She had lived with it, she had lived in it almost—it appeared to have become her habitation. If she had been captured it had taken a firm hand to seize her; that reflection perhaps had some worth. A mind more ingenious, more pliant, more cultivated, more trained to admirable exercises, she had not encountered; and it was this exquisite instrument she had now to reckon with. She lost herself in infinite dismay when she thought of the magnitude of his deception. It was a wonder, perhaps, in view of this, that he didn’t hate her more.”
“I’m fucking you. Um, I’m fucking you hard. Ah, Jesus Fucking Christ. Oh, oh, I’m coming, I’m coming, ah, I came, yay, thank you, hooray, bye, thanks!”
Answer key: 1. H.J. 2. R.R. 3. R.R. 4. H.J. 5. R.R. 6. H.J. 7. H.J. 8. R.R. 9. H.J. 10. R.R.